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The Warm Machine by Aimee Cozza

When a robot built for construction work first sees an angular, sleek prototype military robot slink onto the base he's working outside of, he immediately falls in love. The problem is, only anomalous bots understand the concept of love, and the lowly laborbot has not deviated from his default programming once. So he thinks, anyway. When the laborbot is scheduled for decommission, the military bot cannot possibly live without him, and the two bots set out on a path to find the fabled anomalous robot utopia Root. COVER ARTIST: Aimee Cozza PUBLISHER: 9mm Press YEAR: 2024 LENGTH: 196 pages  AGE: Adult GENRE: Science Fiction RECOMMENDED: Highly Queer Rep Summary: The main characters are robots, likely closest to aro/ace but those terms aren't quite applicable. Gender is also not an important factor. THE WARM MACHINE plays with ideas of friendship, connection, and searching for utopia, all through the lens of a construction robot who falls in love at first sight with a military bot....

Their Eyes Were Watching God by Zora Neale Hurston

Fair and long-legged, independent and articulate, Janie Crawford sets out to be her own person -- no mean feat for a black woman in the '30s. Janie's quest for identity takes her through three marriages and into a journey back to her roots.

TITLE: Their Eyes Were Watching God
AUTHOR: Zora Neale Hurston
PUBLISHER: Harper Perennial Modern Classics
YEAR: First published 1937
LENGTH: 219 pages
AGE: Adult
GENRE: Realistic fiction
RECOMMENDED: Highly

Queer Rep Summary: No canon queer rep.

Their Eyes Were Watching God is a quiet story of one Black woman's life two generations out from slavery, trying to be happy and find a life she'd like to live. 

This book is the story of a life, the MC's life, and the relationships she has beginning as a young woman until she's in her forties or fifties. The narration is full of care, gently stepping in every once in a while when what the MC is thinking goes beyond what she feels safe to say (or even is ready to think). 

I love how the MC is handled, especially the way the book covers a very long period of time by focusing in on the decision points, the times where the level of agency expressed by the MC is changing in some way. It keeps the focus on her and her choices rather that subjecting the reader to many pages covering spans of years where she wasn't steering her life. The sections describing the MC’s realization that her inner life and exterior presentation needed to be separate for her safety and self-preservation is so powerful and insightfully written. The whole book handles misogyny in a way that makes it both unmistakable for what it is but also understandable as something that women (specifically Black women in the USA one to two generations away from slavery) would put up with for their own survival. It has a way of describing a way the world was (and often still is) without making it too stressful to read. The secondary characters (even the ones we're maybe not supposed to like) are written really well and their motivations are understandable even, perhaps especially, when they conflict with the MC. 

I'm mostly in awe, at the end of reading this, and I fear that my review feels sparse because of it. It feels steeped in life, soaking it in, as much as it can hold until it can take no more and lets everything out in a roaring wave. There's enough framing that we enter the main narrative with a question of why did the MC come back home after leaving, then the main story is so absorbing on its own merits that we forget about that for a little while. Until, at last, we have the answer and end where we began, with a quiet story told of a long life lived sometimes well, sometimes poorly, that isn't over yet. 

CW for homophobia (minor), sexism, racism, racial slurs, slavery (backstory), rape (backstory), animal death, domestic abuse, domestic violence, violence, major character death. 

Clear Your Shit Readathon 2020 prompt: Oldest publication

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A white card with "ZORA NEALE HURSTON" above "their eyes were watching god" is framed above and below by a red background with white flowers.


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