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I've Joined The Creator Accountability Network

I've joined the Creator Accountability Network (CAN) as a provisionally credentialed creator! The provisional period is three months long, and at the end of that time I'll be fully credentialed if nothing disqualifying comes to light.  I'll be excerpting details from their website as the best way to explain what this is and what it means for me as a content creator and for you as readers and audience members. The short version is that I've undergone ethics training as part of the credentialing process, and that if you feel my actions have harmed you (now or in the future), you can report harassment, abuse, or other harm to CAN. Quotes in the rest of this post are from CAN's website as of August 16th, 2025. Here's the long version: From CAN's mission and purpose statements:  "The Creator Accountability Network empowers Community Members to build trust with Content Creators through ethical training and credentialing, victim-centered reporting of unethical...
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The House on Mango Street by Sandra Cisneros

The House on Mango Street uses vignettes to show snippets of a young Latina's life in a new neighborhood.

I like the way this book is structured, getting to know the MC and the people in her neighborhood a little at a time. I don't think we're ever told her age, but it has a feeling of her growing up a little, of some time passing but not more than a year or two. The characters feel distinct because the MC describes them in unique ways, with enough detail when previously mentioned characters reappear to let the reader keep track of everyone. She feels like a kid, with a kid's attention to people and ways of describing adult things without always knowing what they are. It handles some pretty traumatic events with care for the reader, sometimes through just mentioning that they happened, and sometimes by showing the MC's reaction without describing the details of the trauma. A lot of it is joyful, and while the sudden shifts in tone can be jarring, they fit the vignette style and it works well overall. The way it jumps around feels like the way someone might describe a year or so of living somewhere, so it's either a style you'll like or maybe it's not for you.

A few things keep this from being a book I can highly recommend, but I have no trouble seeing why this book would be praised. Now I would hesitate to recommend it because of racial slurs and stereotypes which may have not been commonly understood as slurs at the time, but now definitely are. They were jarring to come across and their use repeatedly pulled me out of the story. There was also a way of assuming large bodies were grotesque in a way that adds up to feeling very fatphobic. These weren't always portrayed with malice from the characters, but they are enough of an issue that I'd give a caveat along with any recommendation of this book.

CW for racial slurs, racism, sexism, cissexism, ableism, fatphobia, car accident, sexual assault, domestic violence (not depicted), child abuse (not depicted), death (not depicted), suicidal ideation.

Clear Your Shit Readathon 2020 prompt: Book you don't remember

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A rectangular red house with a flat roof, a girl's face is a window on the left. The text "The House on Mango Street" fills the front of the house. The author's name "Sandra Cisneros" is on top of the roof.


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