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Kinship and Kindness by Kara Jorgensen

Bennett Reynard needs one thing: to speak to the Rougarou about starting a union for shifters in New York City before the delegation arrives. When his dirigible finally lands in Louisiana, he finds the Rougarou is gone and in his stead is his handsome son, Theo, who seems to care for everyone but himself. Hoping he can still petition the Rougarou, Bennett stays only to find he is growing dangerously close to Theo Bisclavret. Theo Bisclavret thought he had finally come to terms with never being able to take his father’s place as the Rougarou, but with his father stuck in England and a delegation of werewolves arriving in town, Theo’s quiet life is thrown into chaos as he and his sister take over his duties. Assuming his father’s place has salted old wounds, but when a stranger arrives offering to help, Theo knows he can’t say no, even if Mr. Reynard makes him long for things he had sworn off years ago. As rivals arrive to challenge Theo for power and destroy the life Bennett has built, ...

The Ballad of Black Tom by Victor LaValle

People move to New York looking for magic and nothing will convince them it isn't there.

Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic, and earns the attention of things best left sleeping.

A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break?

TITLE: The Ballad of Black Tom
AUTHOR: Victor LaValle
PUBLISHER: Tor.com
YEAR: 2016
LENGTH: 149 pages
AGE: Adult
GENRE: Fantasy, Horror, Retelling
RECOMMENDED: Highly

Queer Rep Summary: No canon queer rep.

THE BALLAD OF BLACK TOM is a Lovecraftian retelling which transforms the original story from a litany of racism to a story of a 1920's Brooklyn Black man's existence in that racist miasma, and bloody revenge after a murder by the police. 

The world-building dances a delicate line of conveying the racism of the 1920's while using only as much explicit racism as is needed to show the attitudes of the various characters. There's a scene which is all the more stark and impactful for using phrases still wielded today against Black people who have been murdered by police. I don't know if those exact phrases are anachronist or not, but if they are then the "authentic" 1920's version would involve a lot more slurs, and I have no quibbles with the author's choice of language here. 

I love the first half where Tom is narrator, and at the end when he reprises the role. It's evocative and emotionally powerful, and to me it's the heart of the story. The section with the detective was good, I didn't like it as much because I don't like the detective, but it's really well written, and it shows how racism and xenophobia skews his impression of what's happening around him. 

This is amazing on its own and I wish I'd just left it there. In order to review this in its full context as a retelling of THE HORROR AT RED HOOK by H.P. Lovecraft I read the source material. That was a terrible decision, I have regrets, it's so bad that it doesn't get a separate review, it's just bad. Almost all of the text is a litany of racial slurs and xenophobia with the barest thread of a plot. THE BALLAD OF BLACK TOM is amazing and deserves to stand on its own, just forget about the original. 

CW for ableism (minor), racism, racial slurs, grief, panic attacks, blood, violence (graphic), police brutality, murder (graphic), parental death, major character death, death (graphic).

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A Black man in a suit holding a guitar case walks down a dimly lit street at night, the pavement beneath him is red and had the dark red impression of tentacles.


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