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Fiery Magic by Niranjan

Time travel is risky and regulated, but breaking the law could save her life. Audrey is a hunter mage, employed by the largest magical corporation in the country. Temporal Corps has an exclusive license for time travel, but the laws are strict. It’s to be used only for exigencies approved by the government. When she’s sent to the past and poisoned on arrival, the only one Audrey can depend on is her partner Lyle, who is waiting safely in the future. He’ll have to break at least a dozen laws to help her. Unfortunately, getting caught is a life sentence. Changing the past is a serious crime, but when she receives a message from another version of herself, Audrey realises she may have no choice. It’s a race against the clock, each choice possibly changing her future so much she’ll never undo the damage. She might save her life, but she could lose everything and everyone that’s important to her in the process. Fiery Magic is a futuristic science fantasy adventure. If you enjoy fantasy worl...
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Salamandastron by Brian Jacques (Redwall, #5)

Salamandastron by Brian Jacques is a story of parents and children, legacy, siege, battle, epidemic, and feasting. It’s about passing the torch. A good introduction to Redwall (almost any book will work) but can also stand solo if you just want a good story.

Reading Salamandastron, I love the Redwall books, but now I know a little about the historical and current discrimination against Scots as a language and against the Scottish in the UK, passages with comments of not understanding “Northern” speech of the falcons and eagles are concerning. It’s not subtle, it happens several times that MacPhearsome or Rocangus or Laird Mactalon say something that seems to me (as an American) understandable but very Scottish and then someone declares they didn’t understand the bird at all, but everybeast understands the moles with no trouble. I love the work that went into conveying all the dialects onto the page, it just reads strangely now to have someone keep commenting one how hard it is to understand this particular accent, especially when in the real world it isn’t just an accent, it’s a separate language that has shared roots with English. If we’re lucky enough to have Scottish listeners I’d love some feedback about this issue if you’ve read Brian Jacques’s work.

I like the contrasts between different parent/child pairs in this book. We have Urthstripe and Mara, Ferhago and Klitch, Log-a-log and Nordo, Laird Mactalon and Rocangus, and Loambudd and Urthwyte. All their relationship dynamics are unique and shown pretty well, and it feels like a thematic decision in this particular book.

CW for murder, massacre, plague, death.

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