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Yours Celestially by Al Hess

After divorce, death, and having his reformatted soul uploaded into a new body, Sasha expected resurrection to be a fresh start. His time spent in digital Limbo with the program's cheeky AI guardian angel, Metatron, was cathartic, but what good is a second life when he only sees his daughter on the weekends, he has all the same problems he had before he died, and he can't seem to shake the ache for the married life he lost? If that weren't frustrating enough, a glitch in the program has given Sasha the ability to sense Metatron even outside of Limbo. And Metatron is in love. The angel's sickly-sweet yearning for one of the souls still in Limbo has turned Sasha's stomach into caramelized lead. It's hard enough to move on without someone else's feelings making the emptiness in his own life even more acute. He didn't have playing wingman to an actual winged being on his bingo card, but he's determined to help Metatron make a move on their crush so he ca...
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Salamandastron by Brian Jacques (Redwall, #5)

Salamandastron by Brian Jacques is a story of parents and children, legacy, siege, battle, epidemic, and feasting. It’s about passing the torch. A good introduction to Redwall (almost any book will work) but can also stand solo if you just want a good story.

Reading Salamandastron, I love the Redwall books, but now I know a little about the historical and current discrimination against Scots as a language and against the Scottish in the UK, passages with comments of not understanding “Northern” speech of the falcons and eagles are concerning. It’s not subtle, it happens several times that MacPhearsome or Rocangus or Laird Mactalon say something that seems to me (as an American) understandable but very Scottish and then someone declares they didn’t understand the bird at all, but everybeast understands the moles with no trouble. I love the work that went into conveying all the dialects onto the page, it just reads strangely now to have someone keep commenting one how hard it is to understand this particular accent, especially when in the real world it isn’t just an accent, it’s a separate language that has shared roots with English. If we’re lucky enough to have Scottish listeners I’d love some feedback about this issue if you’ve read Brian Jacques’s work.

I like the contrasts between different parent/child pairs in this book. We have Urthstripe and Mara, Ferhago and Klitch, Log-a-log and Nordo, Laird Mactalon and Rocangus, and Loambudd and Urthwyte. All their relationship dynamics are unique and shown pretty well, and it feels like a thematic decision in this particular book.

CW for murder, massacre, plague, death.

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