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Two Essays on The Count of Monte Cristo

I love The Count of Monte Cristo by Alexandre Dumas. I have read the unabridged version more than once, and my most recent reread was in 2023. At that time, I wrote a couple of brief essays which I posted on Tumblr, one of which was about a canonically queer character and the other discussed a character who is often left out of the various adaptations. I present for you these essays with expansion and alteration, because I keep returning to them as pieces of writing and because I don't want them to be limited to those original posts. I'd like to thank longtime Patron Case Aiken, who receives a monthly shoutout, as well as new patrons DivineJasper and Sasha Khan. (Quotes are from Robin Buss’ English translation of Alexandre Dumas’ work.) Link to Audio Version. ----- Canonical Queerness in The Count of Monte Cristo by Alexandre Dumas You’d need to change surprisingly little of The Count of Monte Cristo to confirm Eugénie Danglars as a trans man (or a masc-leaning nonbinary person...
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The Empress of Salt and Fortune by Nghi Vo (The Singing Hills Cycle, #1)

With the heart of an Atwood tale and the visuals of a classic Asian period drama The Empress of Salt and Fortune is a tightly and lushly written narrative about empire, storytelling, and the anger of women.

A young royal from the far north is sent south for a political marriage. Alone and sometimes reviled, she has only her servants on her side. This evocative debut chronicles her rise to power through the eyes of her handmaiden, at once feminist high fantasy and a thrilling indictment of monarchy.

TITLE: The Empress of Salt and Fortune
AUTHOR: Nghi Vo
PUBLISHER: Tor.com
YEAR: 2020
LENGTH: 112 pages
AGE: Adult
GENRE: Fantasy
RECOMMENDED: Highly

Queer Rep Summary: Lesbian/Sapphic Secondary Character(s), Genderqueer/Nonbinary Main Character(s).

*I received a review copy as part of the 2021 Hugo voters packet. 

THE EMPRESS OF SALT AND FORTUNE unwinds layers of grief and years of confinement amidst luxury into the willing ears of a Cleric sent to record all they can.

The layering of the framing narrative and the tale being told made this feel like it has the scope of a much larger novel while keeping the intimacy of a personal story told by one person to another over an ultimately brief period of time. I loved it and I'm eager to read more in this series.

CW for xenophobia, grief, pregnancy, medical trauma (not depicted), death.

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A rabbit in front of a crane, a wooly mammoth, and a clawed animal with large eyes.


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