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Two Essays on The Count of Monte Cristo

I love The Count of Monte Cristo by Alexandre Dumas. I have read the unabridged version more than once, and my most recent reread was in 2023. At that time, I wrote a couple of brief essays which I posted on Tumblr, one of which was about a canonically queer character and the other discussed a character who is often left out of the various adaptations. I present for you these essays with expansion and alteration, because I keep returning to them as pieces of writing and because I don't want them to be limited to those original posts. I'd like to thank longtime Patron Case Aiken, who receives a monthly shoutout, as well as new patrons DivineJasper and Sasha Khan. (Quotes are from Robin Buss’ English translation of Alexandre Dumas’ work.) Link to Audio Version. ----- Canonical Queerness in The Count of Monte Cristo by Alexandre Dumas You’d need to change surprisingly little of The Count of Monte Cristo to confirm Eugénie Danglars as a trans man (or a masc-leaning nonbinary person...

The Empire of Gold by S. A. Chakraborty (The Daevabad Trilogy, #3)

Daevabad has fallen.

After a brutal conquest stripped the city of its magic, Nahid leader Banu Manizheh and her resurrected commander, Dara, must try to repair their fraying alliance and stabilize a fractious, warring people.

But the bloodletting and loss of his beloved Nahri have unleashed the worst demons of Dara’s dark past. To vanquish them, he must face some ugly truths about his history and put himself at the mercy of those he once considered enemies.

Having narrowly escaped their murderous families and Daevabad’s deadly politics, Nahri and Ali, now safe in Cairo, face difficult choices of their own. While Nahri finds peace in the old rhythms and familiar comforts of her human home, she is haunted by the knowledge that the loved ones she left behind and the people who considered her a savior are at the mercy of a new tyrant. Ali, too, cannot help but look back, and is determined to return to rescue his city and the family that remains. Seeking support in his mother’s homeland, he discovers that his connection to the marid goes far deeper than expected and threatens not only his relationship with Nahri, but his very faith.

As peace grows more elusive and old players return, Nahri, Ali, and Dara come to understand that in order to remake the world, they may need to fight those they once loved . . . and take a stand for those they once hurt.

TITLE: The Empire of Gold
AUTHOR: S.A. Chakraborty
PUBLISHER: Harper Voyager
YEAR: 2021
LENGTH: 782 pages
AGE: Adult
GENRE: Fantasy
RECOMMENDED: Highly

Queer Rep Summary: Gay/Achillean Secondary Character(s), Bi/Pan Secondary Character(s).

*I received a review copy as part of the 2021 Hugo voters packet. 

THE EMPIRE OF GOLD is a satisfying conclusion to the amazing Daevabad Trilogy, taking its time tying up everything and everyone with suitable endings, as much as is possible for conflicts that brewed for millennia. 

Dara's character arc is particularly good, but there's much to love for Nahri and Ali as well. The pacing is excellent, the characters’ motivations are coherent even as events become bloodier, and I’m very satisfied with the ending. It's everything I loved about the first two, but with more catharsis and resolution since it's the final book in the trilogy. The longer page count let the story take how long it needed, with space for things to play out at a wonderful pace. 

This wraps up a bunch of stuff left hanging from the previous book. There's a storyline that has most of its major elements here though it wasn't entirely new for this book. This is definitely a distinct phase of the larger story, with enough that's unique to it for it to stand out, but more than enough in common to be a great finale. The big things I can think of that get resolved here are working off of ground laid before, so nothing is wholly new but the way things are developed and complicated makes it feel fresh. As the last book, things are wrapped up very well. The characters get endings that are right for them and I like how things work out for Daevabad as a whole. A few things are left open, but it's the openness of possibility for the characters who made it to the end of the book. The main characters are the same and their narrative voices have stayed consistent, with some changes in how they think about certain events. This wouldn't make sense if someone started here and hadn't read the first books. There's enough story here that if someone persisted after the first few chapters they might have a good time, but a lot of what makes this so good is dependent on knowing what the characters and their city have been through, without that knowledge the resolutions wouldn't be as meaningful. If you're intrigued by book three, please go back to the beginning and read the whole trilogy. 

I loved this and I'm sad there isn't more, but there's plenty to linger over.

CW for grief (graphic), cursing, kidnapping (backstory), homophobia, sexual content (brief), colonization, slavery (graphic), blood (graphic), gore (graphic), excrement, body horror (graphic), medical content (graphic), medical trauma (graphic), eye injury (graphic), suicidal thoughts, violence (graphic), torture (graphic), genocide (graphic), self harm, suicide attempt, murder (graphic), parental death (graphic), major character death (graphic), death (graphic).

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