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Two Essays on The Count of Monte Cristo

I love The Count of Monte Cristo by Alexandre Dumas. I have read the unabridged version more than once, and my most recent reread was in 2023. At that time, I wrote a couple of brief essays which I posted on Tumblr, one of which was about a canonically queer character and the other discussed a character who is often left out of the various adaptations. I present for you these essays with expansion and alteration, because I keep returning to them as pieces of writing and because I don't want them to be limited to those original posts. I'd like to thank longtime Patron Case Aiken, who receives a monthly shoutout, as well as new patrons DivineJasper and Sasha Khan. (Quotes are from Robin Buss’ English translation of Alexandre Dumas’ work.) Link to Audio Version. ----- Canonical Queerness in The Count of Monte Cristo by Alexandre Dumas You’d need to change surprisingly little of The Count of Monte Cristo to confirm Eugénie Danglars as a trans man (or a masc-leaning nonbinary person...
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Lucky Girl by Mary Rickert

Ro, a struggling writer, knows all too well the pain and solitude that holiday festivities can awaken. When she meets four people at the bar at the local diner—all of them strangers and as lonely as Ro is—she invites them to an impromptu Christmas dinner. And when that party seems in danger of an early end, she suggests they each tell a ghost story. Something seasonally appropriate.

But Ro will come to learn that the horrors hidden in a Christmas tale—or one’s past—can never be tamed once unleashed.

TITLE: Lucky Girl, How I Became A Horror Writer: A Krampus Story
AUTHOR: Mary Rickert
PUBLISHER: Tordotcom
YEAR: 2022
LENGTH: 112 pages 
AGE: Adult
GENRE: Horror
RECOMMENDED: Yes

Queer Rep Summary: No canon queer rep.

*I received a free review copy in exchange for an honest review of this book. 

LUCKY GIRL is a horror novel set at a succession of Christmases, following a young woman who has a Christmas dinner with strangers one year and their lives become entangled.

Usually I can tell pretty quickly whether I'll like a book or not, and I wasn't won over by the opening. But this one turned positive for me when they started telling the ghost stories, and I came away liking it a great deal. Some of the quirks in the main character's narrative style made it hard to tell how seriously the narrative was taking certain things, as she has a very flat way of conveying distressing information. This has a fascinating payoff and ended up being a new favorite character-driven ending for me. 

It touches on a wide variety of traumatic situations while avoiding graphic details on most of them. This means that while it's difficult to emotionally brace for what's about to be discussed in the narrative, there also isn't as much to brace for as there easily could have been.

This a well crafted bit of horror with a truly excellent payoff, don't miss it!

CW for cursing, grief, alcohol, fatphobia (brief), eating disorder, colonization (brief mention), kidnapping, confinement, fire/fire injury (not depicted), pregnancy (brief), blood (brief mention), gore (brief mention), pedophilia (brief mention), car accident (not depicted), suicide (not depicted), parental death, murder, death.

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The top of an ornate iron gate, with a dark forest behind it


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