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October Daye / Inheritance - Essay Series Part Five: Long Series and How to Read Them

Hello Patrons and general audience members! Welcome to another Books That Burn essay by Robin. Thank you to Case Aiken, who receives a monthly Patron shoutout. [Full Audio Available Here] This is the fifth and final entry in a five-part essay series discussing two long-running book series by queer authors: October Daye by Seanan McGuire, and Inheritance by A.K. Faulkner. I chose these series because I love them both, they were intended from the start to be long series, neither of them are finished yet, and the authors have different structural approaches to developing each series across so many volumes. Purely coincidentally, they are both long-running contemporary fantasy series mainly set in California in or near the 2010's, with major characters named Quentin, and whose fast-healing protagonists have a tendency to quasi-adopt a gaggle of magical teenagers. After a brief moment in the 1990's, October Daye begins in earnest in 2009 and has reached 2015 as of the eighteenth boo...

Lost in the Never Woods by Aiden Thomas

It's been five years since Wendy and her two brothers went missing in the woods, but when the town's children start to disappear, the questions surrounding her brothers' mysterious circumstances are brought back into the light. Attempting to flee her past, Wendy almost runs over an unconscious boy lying in the middle of the road...

Peter, a boy she thought lived only in her stories, asks for Wendy's help to rescue the missing kids. But, in order to find them, Wendy must confront what's waiting for her in the woods.

TITLE: Lost in the Never Woods
AUTHOR: Aiden Thomas
PUBLISHER: Swoon Reads
YEAR: 2021
LENGTH: 384 pages
AGE: Young Adult
GENRE: Fantasy
RECOMMENDED: Yes

Queer Rep Summary: No canon queer rep.

LOST IN THE NEVER WOODS retells Peter Pan to create a story of trauma, repression, and helplessness. Five years after Wendy's temporary absence and her brothers' ongoing disappearance, kids start going missing. 

As a Peter Pan retelling, this fits into a sweet spot between “the story you remember happened a long time ago” and “the story you’ve been told was wrong”. Wendy doesn’t remember what happened when, five years ago, she was missing for six months, then suddenly reappeared without her brothers. There’s a sense of frustration running throughout the story as it becomes more and more apparent that Wendy’s missing memories are important, but she doesn’t know if she’ll ever get them back. It meant that when the book finally gives some answers almost at the very end there’s an enormous catharsis. I wasn’t frustrated at the book, I was frustrated for the characters, and so watching them (particularly Wendy) get answers and closure was immensely satisfying. I spent the first 80% liking it but not sure what the twist was going to be... and then the twist/reveal happened and I loved it. It's a take on Neverland that I haven't seen before and it works extremely well. 

I wish Wendy’s friend Jordan had more of a positive presence, it seemed like she mostly existed as part of the crowd of well-meaning but currently unhelpful figures in Wendy’s life (though the epilogue makes up for a lot of the earlier lack). On the other hand, the feeling of being surrounded by a crowd of people who mean well but literally can't help worked really well to support the themes of trauma, repression, and helplessness which are integral to the story.

I liked this and it showed a new side of Wendy, Peter, and Neverland, which is the best part of any retelling. I'm very glad I read it. 

CW for ableist language, alcoholism, panic attacks, kidnapping (graphic), blood, violence, gun violence, car accident, parental death (backstory), murder, child death, death.

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A person in jeans and a short blue jacket is walking away into the darkness in the middle of the woods.


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