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We've Always Been Queer

The podcast is Books That Burn because the original idea was "books that burn you", discussing fictional depictions of trauma. It's also an intentional reminder of the pile of burning books, you know the photo I mean, the one from WWII. It's a pile of books about queerness, gender, and sexuality. Just in case you don't know, the Institut für Sexualwissenschaft (Institute for Sexual Science) was headed by Magnus Hirschfeld.  It was a resource for gay, intersex, and transgender people, both of knowledge and medical help. It also helped the community with addiction treatment and contraception. It wasn't perfect and some of the ideas they had seem out of date now, the ones we know about anyway. But they were trying to make queer people's lives better, and they were a community resource at a time when people really needed it. Which is all the time, we always need these accesses. And the Nazis burned the whole library. It took days, they had to drag the books ou
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The Graveyard Book by Neil Gaiman

Bod is an unusual boy who inhabits an unusual place--he's the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians' time as well as their ghostly teachings--such as the ability to Fade so mere mortals cannot see him.

Can a boy raised by ghosts face the wonders and terrors of the worlds of both the living and the dead?

TITLE: The Graveyard Book
AUTHOR: Neil Gaiman, illustrated by Dave McKean
PUBLISHER: HarperCollins
YEAR: 2008
LENGTH: 368 pages
AGE: Middle Grade
GENRE: Fantasy
RECOMMENDED: Yes

Queer Rep Summary: No canon queer rep.

Nobody Owens ("Bod") is raised by the denizens of a graveyard after the rest of his family is killed when he's a baby. 

Bod grows from a baby into a teenager over the course of the book, and he feels distinct at each age in how he interacts with the world and what kinds of questions he asks. His world is built from his relationships with the others in the graveyard, whether they're consistent visitors or permanent residents. It's also shaped by his attempts to be around living people, most of which go poorly and all of which are complicated. Because Bod’s perspective is the main (but not quite only) one in the book, his understanding is the filter for most of the worldbuilding. There are things he’s told but lacks additional context to understand, and some things he knows intimately but which are just mentioned. 

The first two-thirds of the book is a series of vignettes of events which happened to Bod as he grows up. The episodic pacing culminates in one major event which comprises the final third of the book and is built on everything that happened until this point. It makes this large section feel important, tense, and distinct from the other sections while complementing them perfectly.

CW for ableist language (brief), kidnapping, violence, cannibalism (not depicted), murder, suicide (not depicted), child death, major character death, death.

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A gravestone resembling a wing, lit by the moonlight.


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