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Fiery Magic by Niranjan

Time travel is risky and regulated, but breaking the law could save her life. Audrey is a hunter mage, employed by the largest magical corporation in the country. Temporal Corps has an exclusive license for time travel, but the laws are strict. It’s to be used only for exigencies approved by the government. When she’s sent to the past and poisoned on arrival, the only one Audrey can depend on is her partner Lyle, who is waiting safely in the future. He’ll have to break at least a dozen laws to help her. Unfortunately, getting caught is a life sentence. Changing the past is a serious crime, but when she receives a message from another version of herself, Audrey realises she may have no choice. It’s a race against the clock, each choice possibly changing her future so much she’ll never undo the damage. She might save her life, but she could lose everything and everyone that’s important to her in the process. Fiery Magic is a futuristic science fantasy adventure. If you enjoy fantasy worl...
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The Graveyard Book by Neil Gaiman

Bod is an unusual boy who inhabits an unusual place--he's the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians' time as well as their ghostly teachings--such as the ability to Fade so mere mortals cannot see him.

Can a boy raised by ghosts face the wonders and terrors of the worlds of both the living and the dead?

TITLE: The Graveyard Book
AUTHOR: Neil Gaiman, illustrated by Dave McKean
PUBLISHER: HarperCollins
YEAR: 2008
LENGTH: 368 pages
AGE: Middle Grade
GENRE: Fantasy
RECOMMENDED: Yes

Queer Rep Summary: No canon queer rep.

Nobody Owens ("Bod") is raised by the denizens of a graveyard after the rest of his family is killed when he's a baby. 

Bod grows from a baby into a teenager over the course of the book, and he feels distinct at each age in how he interacts with the world and what kinds of questions he asks. His world is built from his relationships with the others in the graveyard, whether they're consistent visitors or permanent residents. It's also shaped by his attempts to be around living people, most of which go poorly and all of which are complicated. Because Bod’s perspective is the main (but not quite only) one in the book, his understanding is the filter for most of the worldbuilding. There are things he’s told but lacks additional context to understand, and some things he knows intimately but which are just mentioned. 

The first two-thirds of the book is a series of vignettes of events which happened to Bod as he grows up. The episodic pacing culminates in one major event which comprises the final third of the book and is built on everything that happened until this point. It makes this large section feel important, tense, and distinct from the other sections while complementing them perfectly.

CW for ableist language (brief), kidnapping, violence, cannibalism (not depicted), murder, suicide (not depicted), child death, major character death, death.

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A gravestone resembling a wing, lit by the moonlight.


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