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We've Always Been Queer

The podcast is Books That Burn because the original idea was "books that burn you", discussing fictional depictions of trauma. It's also an intentional reminder of the pile of burning books, you know the photo I mean, the one from WWII. It's a pile of books about queerness, gender, and sexuality. Just in case you don't know, the Institut für Sexualwissenschaft (Institute for Sexual Science) was headed by Magnus Hirschfeld.  It was a resource for gay, intersex, and transgender people, both of knowledge and medical help. It also helped the community with addiction treatment and contraception. It wasn't perfect and some of the ideas they had seem out of date now, the ones we know about anyway. But they were trying to make queer people's lives better, and they were a community resource at a time when people really needed it. Which is all the time, we always need these accesses. And the Nazis burned the whole library. It took days, they had to drag the books ou
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She Who Became the Sun by Shelley Parker-Chan (The Radiant Emperor, #1)

To possess the Mandate of Heaven, the female monk Zhu will do anything.

Mulan meets The Song of Achilles in a bold, queer, and lyrical reimagining of the rise of the founding emperor of the Ming Dynasty from an amazing new voice in literary fantasy.

"I refuse to be nothing..."

In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness...

In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family's eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family's clever and capable second daughter, on the other hand, is only as expected.

When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother's identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate.

After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu uses takes the chance to claim another future altogether: her brother's abandoned greatness.

TITLE: She Who Became the Sun
AUTHOR: Shelley Parker-Chan
PUBLISHER: Tor Books
YEAR: 2021
LENGTH: 416 pages
AGE: Adult
GENRE: Fantasy, Historical
RECOMMENDED: Highly

Queer Rep Summary: Eunuch main character(s), Lesbian/Sapphic Main Character(s), Gay/Achillean Secondary Character(s), (Possible) Genderqueer/Nonbinary Main Character(s), (Possible) Trans Main Character(s), Closeted/Questioning Main Character(s). It's extremely queer, but in a way that avoids easy categorization. 

SHE WHO BECAME THE SUN is a queer reimagining of the rise of the founding emperor of the Ming Dynasty, featuring a female monk (disguised) whose fate is intertwined with an eunuch who commands an army. It explores destiny, longing, and the weight of expectations which are often inextricable from gender, but also the adaptability of those who side-step that binary by choice, inclination, birth, or trauma. It’s subtle, nuanced, and occasionally blunt in just the right places to make sure the theme is unmistakable. 

The characters are vibrant and the politics are intricate without being overwhelming. Part of what keeps that balance is that different characters will think about the same events differently, providing for natural refreshers of what's happened and what's important, but without reusing descriptions. The rotation between Zhu, Ouyang, and (eventually) Ma is occasionally broken by brief sections following secondary or minor characters. Each change in perspective brings something to the scene that a different narrator wouldn't have noticed, or, occasionally, is used to make a revelation more poignant when shown through someone who doesn't initially understand what they're seeing (there's a particular reunion which uses this to great advantage). This has discussions of power, position, sacrifice, and cost, along with who pays what prices for which power. It frequently takes note of which language is being spoken, and how the character feels about switching from one language to another, particularly but not only when Ouyang is narrating. It creates these little moments where the language spoken in the room changes the feeling of the moment and affects how the other characters react. It's a small detail, but one I really like. The approach to depicting the horrors of war is very deft, it tends to focus on the emotional impact of whatever violence or death occurred rather than gory descriptions of the event itself. 

I love this and I want more. The ending is satisfying, poised on the eve of the next step for certain events. This definitely feels like phase one of a much larger story, and I'm ready for the next one.

CW for sexual content (explicit), cursing, racism, sexism, homophobia (brief), dysphoria, dysmorphia, plague, starvation, medical content, fire/fire injury, violence, torture, animal death, murder, child death, parental death, major character death (graphic), death (graphic).

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A pale orange background with a large dark orange circle, black smoke drifts across it. Below a person on a horse stands in front of a row of soldiers on horses atop a wide plain.


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