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October Daye / Inheritance - Essay Series Part Five: Long Series and How to Read Them

Hello Patrons and general audience members! Welcome to another Books That Burn essay by Robin. Thank you to Case Aiken, who receives a monthly Patron shoutout. [Full Audio Available Here] This is the fifth and final entry in a five-part essay series discussing two long-running book series by queer authors: October Daye by Seanan McGuire, and Inheritance by A.K. Faulkner. I chose these series because I love them both, they were intended from the start to be long series, neither of them are finished yet, and the authors have different structural approaches to developing each series across so many volumes. Purely coincidentally, they are both long-running contemporary fantasy series mainly set in California in or near the 2010's, with major characters named Quentin, and whose fast-healing protagonists have a tendency to quasi-adopt a gaggle of magical teenagers. After a brief moment in the 1990's, October Daye begins in earnest in 2009 and has reached 2015 as of the eighteenth boo...

Ruinsong by Julia Ember

Her voice was her prison…

Now it’s her weapon.

In a world where magic is sung, a powerful mage named Cadence has been forced to torture her country's disgraced nobility at her ruthless queen's bidding.

But when she is reunited with her childhood friend, a noblewoman with ties to the underground rebellion, she must finally make a choice: Take a stand to free their country from oppression, or follow in the queen’s footsteps and become a monster herself.

TITLE: Ruinsong
AUTHOR: Julia Ember
PUBLISHER: Farrar, Straus and Giroux (Byr)
YEAR: 2020
LENGTH: 368 pages
AGE: Young Adult
GENRE: Fantasy
RECOMMENDED: Yes

Queer Rep Summary: Lesbian/Sapphic Main Character(s).

RUINSONG is a slow burn sapphic tale of falling in love under brutality, and daring to hope for a better future even after being groomed into complicity. The opening chapters are brutal, slowly but inexorably describing a reign of death and torture in which a powerful queen demands complicity and service in exchange for life. The plot is at least 90% slowly inching towards maybe doing something concrete about it while an ever escalating series of discomforts befall the main characters, then the ending is very dramatic and sudden. I refer it to a series of discomforts because the worst stuff happens around Cadence rather than to her (very early on bad things happen to Remi and then keep happening). There's a sense (usually backed up by dramatic asides and tales of woe) that much worse things are constantly happening somewhere to somebody, but since they aren't literally happening to Cadence she's been reluctant to try and change things. I don't have a great sense of what the revolutionaries want other than to not be tortured and killed by the Queen (this is, admittedly, a very sound basis for a revolution so it's okay that other demands aren't a focus of the narrative). I think that I personally prefer books with more specific political intrigue with their revolutions, but that's not what this book is trying to be. The romance is slow burn, since Remi and Cadence don't feel free to do much of anything, let alone broach the topic of being girls who like girls. It barely feels safe for them to be friends, since Remi's very proximity is being used to control Cadence. 

The worldbuilding is fine, it's not very complicated because the story invests its detail in the Queen and the two girls, and the people around them. One thing this portrays very well is emotional abuse and manipulation, and the way that a combination of threats plus unpredictable enforcement can be used to break someone down and make everything feel pointless. The story is about whether Cadence will finally have something that it's worth standing up for, and I appreciate how the story shows why she didn't fight for things before. Even if her reasons seem silly or you can imagine yourself doing more in her shoes (some of her fellow characters think they might have done more), the characterization is so well done to explain why she hadn't before, but without excusing what she's done and continues to do. 

CW for homophobia, confinement, grief (graphic), alcohol, alcoholism, blood (graphic), vomit, emotional abuse (graphic), violence (graphic), torture (graphic), abortion (backstory), medical content (graphic), child abuse, parental death (backstory), child death (graphic), murder (graphic), animal death (graphic), death (graphic).

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A pale girl with white hair in a long-sleeved purple dress stands with her hands at her sides.


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