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Two Essays on The Count of Monte Cristo

I love The Count of Monte Cristo by Alexandre Dumas. I have read the unabridged version more than once, and my most recent reread was in 2023. At that time, I wrote a couple of brief essays which I posted on Tumblr, one of which was about a canonically queer character and the other discussed a character who is often left out of the various adaptations. I present for you these essays with expansion and alteration, because I keep returning to them as pieces of writing and because I don't want them to be limited to those original posts. I'd like to thank longtime Patron Case Aiken, who receives a monthly shoutout, as well as new patrons DivineJasper and Sasha Khan. (Quotes are from Robin Buss’ English translation of Alexandre Dumas’ work.) Link to Audio Version. ----- Canonical Queerness in The Count of Monte Cristo by Alexandre Dumas You’d need to change surprisingly little of The Count of Monte Cristo to confirm Eugénie Danglars as a trans man (or a masc-leaning nonbinary person...

The Echo Wife by Sarah Gailey

Sarah Gailey's The Echo Wife is a non-stop thrill ride of lies, betrayal, and identity, perfect for fans of Big Little Lies and Killing Eve.

Evelyn Caldwell's husband Nathan has been having an affair -- with Evelyn Caldwell.

Or, to be exact, with Martine, a genetically cloned replica made from Evelyn's own award-winning research.

But that wasn't even the worst part.

When they said all happy families are alike, I don't think this is what they meant...

TITLE: The Echo Wife
AUTHOR: Sarah Gailey
PUBLISHER: Tor Books
YEAR: 2021
LENGTH: 256 pages
AGE: Adult
GENRE: Science Fiction, Thriller
RECOMMENDED: Highly

Queer Rep Summary: No canon queer rep.

THE ECHO WIFE gripped me from the first line, using calm and precise language to build a horrific tale of abuse and death. Every revelation drops like a stone into water, raising the level by inches until it feels like it can hold no more.

This is a well-paced thriller which doles out disturbing news just often enough to be unsettling. Evelyn's descriptions consistently bury the lede, pondering first the reactions and consequences to some very important piece of information before finally circling back to say what caused the fuss in the first place. It reshapes the weight of these moments to emphasize how dealing with each horrible (and sometimes not so horrible) event affects those who remain. It's disassociation in book form, as if Evelyn isn't ready to look at what's going on and must approach everything at an angle in order to have any chance of reaching it at all. I especially love the complex discussions about the ethics of cloning, the difference between what Nathan did and what Evelyn does, if there is one. 

It's about healing, clawing back by inches what was taken and filling in new things where the old bits are lost forever. Figuring out what bits of Evelyn and Martine belong to themselves, leaving space for them to want different things even though they started out as the same person. It's shaped by the absence of an abuser, the gap left behind by someone who demanded that every thought fit his needs. 

CW for sexism, grief, alcohol, abortion (not depicted), toxic relationship, vomit, blood (graphic), medical content (graphic), violence, domestic abuse, parental death (backstory), murder, death (graphic). Contains a staged suicide.

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