Skip to main content

Featured

The Empress of All Seasons by Emiko Jean

Each generation, a competition is held to find the next empress of Honoku. The rules are simple. Survive the palace's enchanted seasonal rooms. Conquer Winter, Spring, Summer, and Fall. Marry the prince. All are eligible to compete--all except yokai, supernatural monsters and spirits whom the human emperor is determined to enslave and destroy. Mari has spent a lifetime training to become empress. Winning should be easy. And it would be, if she weren't hiding a dangerous secret. Mari is a yokai with the ability to transform into a terrifying monster. If discovered, her life will be forfeit. As she struggles to keep her true identity hidden, Mari's fate collides with that of Taro, the prince who has no desire to inherit the imperial throne, and Akira, a half-human, half-yokai outcast. Torn between duty and love, loyalty and betrayal, vengeance and forgiveness, the choices of Mari, Taro, and Akira will decide the fate of Honoku in this beautifully written, edge-of-your-seat YA...
Post a Comment
Read more
Labels

The Shadowglass by Rin Chupeco (The Bone Witch, #3)

The Shadowglass delivers on the promises made in The Bone Witch and continued in The Heart Forger, weaving a narrative so tight that it has the feel of a well-executed time-travel story, but with nary a time machine in sight. For most to live, magic must die.

I love how Likh’s story is handled. It feels like a quiet revelation, slowly unfolding alongside Tea’s life, subtle but so powerful. All the secondary characters (that ones made it to book three, for this series is not afraid to kill major characters) get to shine in different ways. The villain reveals are surprising while still fitting the previous books, I now have complicated feelings about people I thought I was supposed to like, supposed to dislike... all the feelings. The first book had a lonely quality to it, with just two people talking in the interstitial and Tea trying to navigate this new place in the main story. By the end of the trilogy there are so many amazingly-written characters to love and hate, and to have that feel balanced in both storylines, using the structure to full advantage... I'm just in awe.  

The way the interstitial narration and the main story come together is fantastic, it makes me want to immediately re-read the whole trilogy so I can understand all the implications from the start. It allowed for some really dramatic moments where someone shows up in one storyline for the first time then shows up in the other, and it makes one of the moments feel like a reveal even though the character or plot element hadn't shown up explicitly before. This was such a smart way to construct a trilogy (also the perfect length, this structure could work for 1-3 books but probably not more). Dramatic reveals can happen from one perspective then be shown to have been laid in for ages in the next. When I read the first book I was hoping it would hold up all the way through and it did, so well. I have no complaints. What I do have is a wonderful mix of happiness at how the story turns out and sadness that it's over. Normally I'd reach for a time-travel story to give me some of the feelings I got here, and seeing it in a fantasy form is so great, I love all of this.

CW for betrayal, suicidal ideation, death, massacre, gore, descriptions of battle, major character death.

Bookshop Affiliate Buy Link

A woman in red robes walks in a dark mountain valley.

Labels:

Comments

Post a Comment