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Chosen. Again. by J. Emery

She saved the kingdom once. She didn't expect there to be a repeat performance. At sixteen, Ari fell into a portal and found herself in Callaria, a magical alternate world in need of a hero. So she did the coming-of-age quest. She saved the kingdom and kissed the farmboy turned King. And when she was done... she went home. She never forgot about her time in Callaria. It never forgot her either, and now thirteen years later, she's back. Drafted into the role of Champion once more, Ari discovers that magic doesn't mean freedom from consequences. Her actions a decade ago caused ripples that didn't go away when she did. The gawky apprentice wizard she once called a friend is now a cynical Royal Wizard with a penchant for floor length velvet robes and dangerous secrets. Her magic sword is giving her the silent treatment. The evil ruler she thought she defeated is living in the dungeon, making cryptic predictions that sound a little too much like fact. The farmboy turned King...

The Shadowglass by Rin Chupeco (The Bone Witch, #3)

The Shadowglass delivers on the promises made in The Bone Witch and continued in The Heart Forger, weaving a narrative so tight that it has the feel of a well-executed time-travel story, but with nary a time machine in sight. For most to live, magic must die.

I love how Likh’s story is handled. It feels like a quiet revelation, slowly unfolding alongside Tea’s life, subtle but so powerful. All the secondary characters (that ones made it to book three, for this series is not afraid to kill major characters) get to shine in different ways. The villain reveals are surprising while still fitting the previous books, I now have complicated feelings about people I thought I was supposed to like, supposed to dislike... all the feelings. The first book had a lonely quality to it, with just two people talking in the interstitial and Tea trying to navigate this new place in the main story. By the end of the trilogy there are so many amazingly-written characters to love and hate, and to have that feel balanced in both storylines, using the structure to full advantage... I'm just in awe.  

The way the interstitial narration and the main story come together is fantastic, it makes me want to immediately re-read the whole trilogy so I can understand all the implications from the start. It allowed for some really dramatic moments where someone shows up in one storyline for the first time then shows up in the other, and it makes one of the moments feel like a reveal even though the character or plot element hadn't shown up explicitly before. This was such a smart way to construct a trilogy (also the perfect length, this structure could work for 1-3 books but probably not more). Dramatic reveals can happen from one perspective then be shown to have been laid in for ages in the next. When I read the first book I was hoping it would hold up all the way through and it did, so well. I have no complaints. What I do have is a wonderful mix of happiness at how the story turns out and sadness that it's over. Normally I'd reach for a time-travel story to give me some of the feelings I got here, and seeing it in a fantasy form is so great, I love all of this.

CW for betrayal, suicidal ideation, death, massacre, gore, descriptions of battle, major character death.

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A woman in red robes walks in a dark mountain valley.

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