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We've Always Been Queer

The podcast is Books That Burn because the original idea was "books that burn you", discussing fictional depictions of trauma. It's also an intentional reminder of the pile of burning books, you know the photo I mean, the one from WWII. It's a pile of books about queerness, gender, and sexuality. Just in case you don't know, the Institut für Sexualwissenschaft (Institute for Sexual Science) was headed by Magnus Hirschfeld.  It was a resource for gay, intersex, and transgender people, both of knowledge and medical help. It also helped the community with addiction treatment and contraception. It wasn't perfect and some of the ideas they had seem out of date now, the ones we know about anyway. But they were trying to make queer people's lives better, and they were a community resource at a time when people really needed it. Which is all the time, we always need these accesses. And the Nazis burned the whole library. It took days, they had to drag the books ou
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The Shadowglass by Rin Chupeco (The Bone Witch, #3)

The Shadowglass delivers on the promises made in The Bone Witch and continued in The Heart Forger, weaving a narrative so tight that it has the feel of a well-executed time-travel story, but with nary a time machine in sight. For most to live, magic must die.

I love how Likh’s story is handled. It feels like a quiet revelation, slowly unfolding alongside Tea’s life, subtle but so powerful. All the secondary characters (that ones made it to book three, for this series is not afraid to kill major characters) get to shine in different ways. The villain reveals are surprising while still fitting the previous books, I now have complicated feelings about people I thought I was supposed to like, supposed to dislike... all the feelings. The first book had a lonely quality to it, with just two people talking in the interstitial and Tea trying to navigate this new place in the main story. By the end of the trilogy there are so many amazingly-written characters to love and hate, and to have that feel balanced in both storylines, using the structure to full advantage... I'm just in awe.  

The way the interstitial narration and the main story come together is fantastic, it makes me want to immediately re-read the whole trilogy so I can understand all the implications from the start. It allowed for some really dramatic moments where someone shows up in one storyline for the first time then shows up in the other, and it makes one of the moments feel like a reveal even though the character or plot element hadn't shown up explicitly before. This was such a smart way to construct a trilogy (also the perfect length, this structure could work for 1-3 books but probably not more). Dramatic reveals can happen from one perspective then be shown to have been laid in for ages in the next. When I read the first book I was hoping it would hold up all the way through and it did, so well. I have no complaints. What I do have is a wonderful mix of happiness at how the story turns out and sadness that it's over. Normally I'd reach for a time-travel story to give me some of the feelings I got here, and seeing it in a fantasy form is so great, I love all of this.

CW for betrayal, suicidal ideation, death, massacre, gore, descriptions of battle, major character death.

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A woman in red robes walks in a dark mountain valley.

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