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October Daye / Inheritance - Essay Series Part Five: Long Series and How to Read Them

Hello Patrons and general audience members! Welcome to another Books That Burn essay by Robin. Thank you to Case Aiken, who receives a monthly Patron shoutout. [Full Audio Available Here] This is the fifth and final entry in a five-part essay series discussing two long-running book series by queer authors: October Daye by Seanan McGuire, and Inheritance by A.K. Faulkner. I chose these series because I love them both, they were intended from the start to be long series, neither of them are finished yet, and the authors have different structural approaches to developing each series across so many volumes. Purely coincidentally, they are both long-running contemporary fantasy series mainly set in California in or near the 2010's, with major characters named Quentin, and whose fast-healing protagonists have a tendency to quasi-adopt a gaggle of magical teenagers. After a brief moment in the 1990's, October Daye begins in earnest in 2009 and has reached 2015 as of the eighteenth boo...

The Intuitionist by Colson Whitehead

It is a time of calamity in a major metropolitan city's Department of Elevator Inspectors, and Lila Mae Watson, the first black female elevator inspector in the history of the department, is at the center of it. There are two warring factions within the department: the Empiricists, who work by the book and dutifully check for striations on the winch cable and such; and the Intuitionists, who are simply able to enter the elevator cab in question, meditate, and intuit any defects.

Lila Mae is an Intuitionist and, it just so happens, has the highest accuracy rate in the entire department. But when an elevator in a new city building goes into total freefall on Lila Mae's watch, chaos ensues. It's an election year in the Elevator Guild, and the good-old-boy Empiricists would love nothing more than to assign the blame to an Intuitionist. But Lila Mae is never wrong.

The sudden appearance of excerpts from the lost notebooks of Intuitionism's founder, James Fulton, has also caused quite a stir. The notebooks describe Fulton's work on the "black box," a perfect elevator that could reinvent the city as radically as the first passenger elevator did when patented by Elisha Otis in the nineteenth century. When Lila Mae goes underground to investigate the crash, she becomes involved in the search for the portions of the notebooks that are still missing and uncovers a secret that will change her life forever.

TITLE: The Intuitionist
AUTHOR: Colson Whitehead
PUBLISHER: Anchor
YEAR: 1999
LENGTH: 272 pages 
AGE: Adult
GENRE: Mystery, Science Fiction
RECOMMENDED: Highly

General Vibe: Book1 with Book2

Queer Rep Summary: No canon queer rep.

Lila Mae Watson is the first Black female elevator inspector ever in the department, she's an Intuitionist who can enter an elevator and "intuit" any defects. She's outnumbered by Empiricists in the department, who are almost all white and male, and eager to blame an Intuitionist when an elevator goes into freefall after Lila Mae's inspection. 

The divide between Empiricists and Intuitionists seems like a simple ideological divide at first, but that central question becomes more complicated as Lila Mae learns more about Intuitionism's founder while investigating the crash. Lila Mae isn't the first Black inspector, and I'm unsure whether she's the first female one, but the combination of the two means that a nearly endless slurry of sexism and racism are directed her way, either singly or in combination. It's consistent but not constant, and whether and how characters disparage her is part of their characterization and contributes to the worldbuilding as a whole. The antagonists attempt to weaponize her identity for their own gain in a variety of ways, whether from things she chose (being an Intuitionist) or things she didn't choose (being Black and female). 

There are long sections which contain delightful thoughts about elevators, including but not limited to competing theories of elevators, how the passenger exists in context with the elevator, where escalators fit in as vertical conveyances, and many more. 

The mystery is tense and engaging, I was hooked almost immediately, became riveted about a third of the way in, and was completely engaged through to the end. Lila Mae is purposeful and conscientious, which are excellent qualities for the protagonist of a mystery. Excellently layered, I love this.

CW for sexual content (brief), cursing, classism, sexism, sexual harassment, fatphobia (brief), drug use (smoking), misogyny, racism (graphic), racial slurs (graphic), excrement, vomit (brief), blood, violence, kidnapping, car accident (not depicted), torture (graphic), rape (backstory), slavery (backstory), animal death (backstory), death.

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The edge of tall buildings, viewed from below so they appear as strange geometric shapes.


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