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Two Essays on The Count of Monte Cristo

I love The Count of Monte Cristo by Alexandre Dumas. I have read the unabridged version more than once, and my most recent reread was in 2023. At that time, I wrote a couple of brief essays which I posted on Tumblr, one of which was about a canonically queer character and the other discussed a character who is often left out of the various adaptations. I present for you these essays with expansion and alteration, because I keep returning to them as pieces of writing and because I don't want them to be limited to those original posts. I'd like to thank longtime Patron Case Aiken, who receives a monthly shoutout, as well as new patrons DivineJasper and Sasha Khan. (Quotes are from Robin Buss’ English translation of Alexandre Dumas’ work.) Link to Audio Version. ----- Canonical Queerness in The Count of Monte Cristo by Alexandre Dumas You’d need to change surprisingly little of The Count of Monte Cristo to confirm Eugénie Danglars as a trans man (or a masc-leaning nonbinary person...
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Down Among the Sticks and Bones by Seanan McGuire (Wayward Children #2)

Down Among the Sticks and Bones is calm and dark, unafraid of gore; more interested in the slow transformation of two people distorted by ill-fitting molds, suddenly released to find very different paths with new kinds of darkness, surety settling in their bones.

This was a (relatively) calm way to learn more of a very strange and haunting story that was briefly described in Every Heart a Doorway. I'd been intrigued by Jack and Jill and I loved this opportunity to learn more about them. There's a lot of care here, for the characters and the audience. At several points the unnamed narrator tells us that a particular very bad thing happens, and trusts us to manage our own imaginations as to whether we'd like to dwell on gory details. Certain kinds of darkness are left unsaid, while others are dragged into the light, given no shadows in which to hide.

It's a horrific tale, darker somehow for the feeling of creeping inevitability granted by knowing how it ends before it's begun. It's about the journey when we already know the destination, and I treasure the path this pulled me along. If you were comfortable with the kind of darkness and horror in the first book then you'll likely be fine with this one. It feels like slowly probing the edges of a certain level of grim atmosphere and familiarity with death, turning over tiny pieces of something shattered and exhaling slowly when it's as bad as you thought, but no worse; you already knew it had broken.

CW for murder, gore, grooming, major character death. 

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A slightly open clothing trunk rests on a stone-covered hillside

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