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Series: The Orc Prince Trilogy by Lionel Hart

Greetings and welcome to Reviews That Burn: Series Reviews, part of Books That Burn. Series Reviews discuss at least three books in a series and cover the overarching themes and development of the story across several books. I'd like to thank longtime Patron Case Aiken, who receives a monthly shoutout. Full Audio Here   An elven prince. The son of an orc warlord. In two warring nations, their arranged marriage brings peace. They never expected to fall in love. Prince Taegan Glynzeiros has prepared since childhood to fight and lead armies against invading orc forces, the enemies of elves for hundreds of years. But after a successful peace treaty, the elven prince will not be fighting orcs, but marrying one. The first words he speaks to Zorvut are their wedding vows. Despite being considered the runt amongst the orc warlord’s children, Taegan finds him to be intelligent and thoughtful—everything the stereotypes about orcs say he shouldn’t be. He doesn’t want to fall in love, but Zorv...

Cinderella Is Dead by Kalynn Bayron

Cinderella Is Dead is built from the shattered pieces of the cruel and sexist Western fairy tale canon. Re-imagining Cinderella by showing and fighting against a patriarchal fairy tale kingdom, with a keen understanding of stories' power to inspire real change. 

It goes beyond, "Cinderella but not how you know her", to tell an entirely new story and re-contextualize an old one. I liked how over-the-top and terrible the existing system was, it fits right in with classic (European*) fairy tales in terms of capriciousness and cruelty (*I mention European fairy tales specifically because that's the canon I'm most familiar with, and the version of Cinderella which involves a glass slipper is French). However, having a female protagonist, making that protagonist queer, and relentlessly centering strong female characters, results in a story that feels powerful and new.

The early part of the book had a lot of world to build very quickly and it was handled masterfully, leaning just enough on a basic understanding of the classic Cinderella story to add background, but not so much as to be unintelligible to someone unfamiliar with the mythos. Early on it specifically establishes that the system isn’t just unfair to queer girls like Sophia, but to anyone who doesn’t want to fit the mold of “young girl marries a man” (and even to those who might otherwise be fine with it, but find themselves controlled and abused by the men in their lives). I do mean girls marrying men, specifically, since in the world at the start of the book girls ages 16-18 are being paired with some boys their age, but mostly with men of any age who decide they’d like a wife. The implications of this system are explored enough to drive home the horror of the system, but without turning the book into a litany of abuses. 

I loved this redefinition of the classic fairy tale; it took some elements of the original and transformed them into a completely new story, one I very much enjoyed. I thought I knew where this would turn, the steps the story would take, and right as I was getting comfortable with the supposed trajectory it surprised me in a really good way. I was thoroughly and pleasantly surprised with the twists and turns. I won’t claim that no one could guess them, just that I didn’t do so and I had a marvelous time going along for the ride. 

CW for systemic lack of consent, domestic violence, murder.


A young Black girl in a blue ballgown looks over her shoulder in front of twisted trees.

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