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October Daye / Inheritance - Essay Series Part Five: Long Series and How to Read Them

Hello Patrons and general audience members! Welcome to another Books That Burn essay by Robin. Thank you to Case Aiken, who receives a monthly Patron shoutout. [Full Audio Available Here] This is the fifth and final entry in a five-part essay series discussing two long-running book series by queer authors: October Daye by Seanan McGuire, and Inheritance by A.K. Faulkner. I chose these series because I love them both, they were intended from the start to be long series, neither of them are finished yet, and the authors have different structural approaches to developing each series across so many volumes. Purely coincidentally, they are both long-running contemporary fantasy series mainly set in California in or near the 2010's, with major characters named Quentin, and whose fast-healing protagonists have a tendency to quasi-adopt a gaggle of magical teenagers. After a brief moment in the 1990's, October Daye begins in earnest in 2009 and has reached 2015 as of the eighteenth boo...

The Battle of the Labyrinth by Rick Riordan (Percy Jackson and the Olympians, #4)

The Battle of the Labyrinth is about turning points and choices. It builds on the previous books to ask what Percy and his friends will do with what they've learned, how will they be different from their parents?

I'm looking forward to the answer to that question in book five, especially after the events of the birthday party in the book's conclusion. Thematically, I'm very excited that this book, for kids, about choices, touches on their ability to be separate from their parents, to want different things and be different people. But, it also has room for the ones who either haven't yet or maybe never will decide to be separate.

Including Janus was a nice touch, and I'm very excited to see what happens next with Nico. The flashbacks with Daedalus showed me parts of his mythos that I'm not as familiar with. This isn't the first time Percy has had visions of the past, especially past heroes of one kind or another, but they were particularly well-handled here.

I continue to be impressed by the modern interpretations of mythic elements, particularly the Labyrinth. Grover's search is well-handled, and the way Percy was repeatedly separated and reunited with his main party kept the narrative from getting stale. The fruitless or potentially repetitive sections could be spun off and rejoined at the best parts, while still conveying the helplessness and frustration experienced by the characters who didn't get to skip over them.

I wrote my opening sentence of the review, that this is about turning points and choices, then kicked myself because, duh, they're in a labyrinth, but what made me seize on that as the theme was everything else except the literal choices in the labyrinth. Janus, Calypso, Nico's decision, Luke's plan, Percy's obliviousness to the dynamic with Annabeth and Rachel... It shows how well-written this is when I was trying to think of the theme, and the elements that drew me to it were everything except the very obvious metaphor in the title itself. I can't say whether it's more cohesive than the others so far, but I enjoyed this one the most. It feels very complete, like every thing here was working together for this really good story. Part of that is that it's book four, it has the weight of the first three behind it so it wasn't as bogged down with introductions and world-building and it could just... fly.


A boy (Percy) holding a sword stands over a glowing coffin, a labyrinth stretches behind him

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