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All the Painted Stars by Emma Denny (14th Century Oxfordshire #2)

Oxfordshire 1362 When Lily Barden discovers her best friend Johanna's hand in marriage is being awarded as the main prize at a tournament, she is determined to stop it. Disguised as a knight, she infiltrates the contest, preparing to fight for Jo's hand. But her conduct ruffles feathers, and when a dangerous incident escalates out of Lily's control, Jo must help her escape. Finding safety with a local brewster, Lily and Jo soon settle into their new freedom, and amongst blackberry bushes and lakeside walks an unexpected relationship blossoms. But when Jo's past catches up with her and Lily's reckless behaviour threatens their newfound happiness, both women realise that choices must always come at a cost. The question they need to ask is if the cost is worth the price of love... CONTRIBUTOR(S): Farrah Cave (Narrator), Kristin Atherton (Narrator) PUBLISHER: HarperCollins YEAR: 2024 LENGTH: 336 pages (11 hours 36 minutes) AGE: Adult GENRE: Historical, Romance RECOMMEND...

Academ's Fury by Jim Butcher (The Codex Alera, #2)

Academ's Fury is a good follow-up to Furies of Calderon, introducing new players (Varg, Tavi's classmates) & clarifying what's at stake. It's layered and intense, introducing new levels of secrets and intrigue, mixing the political and the personal.

This book has a lot to handle, moving between rural Calderon and the Academy in the capital. In some ways it's a second introduction, basically doubling the number of key characters by adding those around Tavi in the city. This means it has a lot of ground to cover, and it does it admirably, but while the later books will get to use this as a foundation it doesn't have that luxury and ends up dragging in a few spots. 

That being said, the various heist-y escapades are intense and fast-paced. The fights are detailed enough to mean you can follow the action, but not so finicky as to bog down the story. I love every scene with Varg (he's my favorite), and the stakes set up early in the book make all the little things come together very well in the end, plot-wise. I like politics in world-building, and this book brings a lot of that in where it was merely implied in the first book. The layers of relationships are complicated enough to be interesting without being so confusing as to make the characters inscrutable. You don't know everyone's reasoning, but you learn enough for their actions in the moment to make sense. It's a delicate balance, and I think it's working here.

*A continued note from my review of the first book: The way the Marat are set up as “savages” while also borrowing Indigenous signifiers is troubling. The narrative fights back against characters who view them negatively, but also I don’t know how much the author should get credit for “solving” a problematic characterization that he himself created.

**After much reflection, I think that the problematic treatment of fantasy-indigenous people in this series is inextricable from the story and, as much as I personally enjoyed these books as a teenager, I don’t recommend the series.

CW for violence, slavery, sexism, death.


A young man in armor raises a sword to fight disembodied arms in the walls

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