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All the Painted Stars by Emma Denny (14th Century Oxfordshire #2)

Oxfordshire 1362 When Lily Barden discovers her best friend Johanna's hand in marriage is being awarded as the main prize at a tournament, she is determined to stop it. Disguised as a knight, she infiltrates the contest, preparing to fight for Jo's hand. But her conduct ruffles feathers, and when a dangerous incident escalates out of Lily's control, Jo must help her escape. Finding safety with a local brewster, Lily and Jo soon settle into their new freedom, and amongst blackberry bushes and lakeside walks an unexpected relationship blossoms. But when Jo's past catches up with her and Lily's reckless behaviour threatens their newfound happiness, both women realise that choices must always come at a cost. The question they need to ask is if the cost is worth the price of love... CONTRIBUTOR(S): Farrah Cave (Narrator), Kristin Atherton (Narrator) PUBLISHER: HarperCollins YEAR: 2024 LENGTH: 336 pages (11 hours 36 minutes) AGE: Adult GENRE: Historical, Romance RECOMMEND...

The Priory of the Orange Tree by Samantha Shannon

The Priory of the Orange Tree has lesbians, dragons, and magic in an epic mix which crosses nations and seas to stop an evil 1000 years in the making. The political intrigue and religious clashes drive the actions of individuals and the fate of nations.

Reading this in the spring of 2020, it requires a content warning for plague and a country-wide quarantine, but while mentions of the plague are frequent, depictions of it occur sparsely and can easily be skipped without distorting the story. Please take care of yourselves.

I love doorstoppers, especially fantasy doorstoppers with dragons, thousand-year cycles, curses, betrayal, intrigue, murder, and magic. What I didn't expect, because I haven't been taught to expect it, was queer romance and complex intimacy in a fantasy novel. There's a breadth of queerness too; lost loves, forbidden loves, and as close to a canon asexual character as you can get without anachronistically using the term outright. I began the book very worried that it would become a "bury your gays" situation, but I was very glad to see that it was not.

Every narrator is unreliable, in a way, as they all are working from incomplete and contradictory information regarding some major historical events (and some personal ones). The way this is resolved was ingenious, and far more complex than one side or the other simply being incorrect about their own religious history.

The beginning felt a little slow, partly because there were so many characters and settings to establish, but once I had a sense of the main players the story flew by. The political intrigue was detailed and multi-faceted, the various sets of power dynamics were well-constructed. Even for characters I didn't know well, their actions made sense within the politics that I did know, without needing dramatic monologues explaining their motives. This allowed the few Big Damn Villain speeches to carry weight, as the impact hadn't been blunted on minor reveals of petty (and not so petty) antagonists.

Overall I liked this book a lot, and while I don't know if it's one I would re-read soon, it's definitely one I'd recommend to anyone looking for dragon-filled fantasy with excellent depictions of queerness.

CW for plague, death.

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