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How to Bare Your Neck and Save a Wreck by D.N. Bryn (Guides for Dating Vampires #3)

"I only take what's owed me, and you, my little swan, owe me blood." A single kiss from a masked vampire has left Shane with an obsession and a mission: uncover the secrets of the black-market blood trade and find his mystery vampire in the process. But one knock at the wrong door and he could have fangs at his throat instead of lips. Andres is trying to forget his kiss with Shane Crowley by drowning himself in his work as a thief for the blood trade. When his boss seizes an overcurious Shane to drain his blood, though, Andres's only option is to buy him for every drop he'll ever produce. This new ownership awakens thoughts of glittering collars-thoughts Andres knows are the desires of a monster. But Andres needs blood to live, and he's going to have it from Shane, even if that means donning a mask once more and demanding Shane bare his neck during nightly excursions. Soon, Shane feels pulled in all directions, between the strange desires his role as Andres...
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The Kingdom of Gods by N. K. Jemisin (Inheritance, #3)

The Kingdom of Gods reckons with the origins and present state of the Arameri as seen through Sieh to make an amazing end to The Inheritance Trilogy. It complicates what we learned before without making earlier knowledge feel cheap, molding rage and sorrow like clay.

This was a deeply satisfying conclusion to The Inheritance Trilogy. There is a sequel novella to this trilogy which I will read after this, but I am content with what's here. It was tense, moving, contemplative, tumultuous, scary, exciting, and finally at peace, without losing zest and intensity along the way. It confronts and dismantles the Arameri's colonialist justifications which filled the first two books. They were challenged earlier, but this book brings things to a head in order to have a chance at a true reckoning for past misdeeds, of humans and gods. 

I loved Sieh as the narrator. I've loved him as a character since book one, and I was not disappointed by his spotlight here. Writing a long-lived godling of childhood in a way that makes him feel like a child when it's fitting doesn't seem easy, yet it was carried off in a way that accomplishes a complex portrait of childhood, not cheapening it by typifying it. 

This book examines and pulls apart old wounds, deep rifts, and sorrows from the dawn of time, giving space for healing and growth without demanding forgiveness from the people who were hurt. It is an artful example of confronting past abuses, both of the importance of doing so and of a few small ways to attempt it. The idea of a cycle of violence fills this trilogy, and this third book especially, but also there's a hope of breaking the cycles, of having something better than rage and pain to look forward to.

It's ultimately joyful without asking for mourning to cease, leaving space for both grief and joy, for people to have complex and contradictory experiences of the same events. 

Read this book, read this trilogy.

CW for incest, massacre, slavery, death, major character death.



A city of towers in the midst of a stormy sea
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