Skip to main content

Featured

October Daye / Inheritance - Essay Series Part Five: Long Series and How to Read Them

Hello Patrons and general audience members! Welcome to another Books That Burn essay by Robin. Thank you to Case Aiken, who receives a monthly Patron shoutout. [Full Audio Available Here] This is the fifth and final entry in a five-part essay series discussing two long-running book series by queer authors: October Daye by Seanan McGuire, and Inheritance by A.K. Faulkner. I chose these series because I love them both, they were intended from the start to be long series, neither of them are finished yet, and the authors have different structural approaches to developing each series across so many volumes. Purely coincidentally, they are both long-running contemporary fantasy series mainly set in California in or near the 2010's, with major characters named Quentin, and whose fast-healing protagonists have a tendency to quasi-adopt a gaggle of magical teenagers. After a brief moment in the 1990's, October Daye begins in earnest in 2009 and has reached 2015 as of the eighteenth boo...

Ancestral Night by Elizabeth Bear (White Space, #1)

Ancestral Night is an intimate exploration of identity and personhood which plays out across light-ans, oscillating smoothly between space battles, personal crises, and odes to cats in zero-g. I hope we get more in this universe, or one next door.

I enjoy portrayals of AI and aliens that make them feel like more than just human thoughts in different skins (or no skin, as the case may be). What I was not expecting, but I received, was a portrayal of a human whose mindset was so adjusted and influenced by technology that they sometimes felt alien. Haimey never crosses that line completely, but flits up to it enough that it made the narration feel precarious, like at any moment she could be a wholly different being. Part of what I appreciate is that this book engages with that idea in an interesting way (one which I don't intend to spoil). I like the answers it reaches, they feel actionable in a personal way, if not at a societal level.

As a longer book, the pacing is well-managed. It dragged a bit in the first third because there's a lot to establish, but then it catches momentum and has a good balance of contemplation and action. Because the narrator (Haimey) is encountering a lot of new technology it avoids a lot of easy opportunities to infodump (which is always a temptation in sci-fi). Watching her figure out how everything works is much more interesting that being explained to, even if the end result is the same. For the sections where she already knows what's going on, the explanations are a lot closer to the ideal where she just tells us what she's doing and we figure out the closest analog from context clues (e.g., "I got in the car and pulled out of the parking space" vs "I undid the latch on my conveyance powered by internal combustion and lowered my form onto the padded and adjustable frame...").

I like the world built here, and I'm excited that it's supposed to be a part of a series. I definitely plan to come back for more when it's available. *I no longer plan to read the sequel.

Comments

Popular Posts