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October Daye / Inheritance - Essay Series Part Five: Long Series and How to Read Them

Hello Patrons and general audience members! Welcome to another Books That Burn essay by Robin. Thank you to Case Aiken, who receives a monthly Patron shoutout. [Full Audio Available Here] This is the fifth and final entry in a five-part essay series discussing two long-running book series by queer authors: October Daye by Seanan McGuire, and Inheritance by A.K. Faulkner. I chose these series because I love them both, they were intended from the start to be long series, neither of them are finished yet, and the authors have different structural approaches to developing each series across so many volumes. Purely coincidentally, they are both long-running contemporary fantasy series mainly set in California in or near the 2010's, with major characters named Quentin, and whose fast-healing protagonists have a tendency to quasi-adopt a gaggle of magical teenagers. After a brief moment in the 1990's, October Daye begins in earnest in 2009 and has reached 2015 as of the eighteenth boo...
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Binti: The Night Masquerade by Nnedi Okorafor (Binti, #3)

Binti: The Night Masquerade is a fitting end to the Binti trilogy by Nnedi Okorafor. The combination of action-packed climax with a lot of cool-down and aftercare makes the trilogy, and this stage of Binti's journey, feel complete in a way I wasn't expecting, but I appreciate.

The pacing is strange to me. I like how it concluded, but I was startled by spending almost half the book on what felt like falling action and conclusion, with the dramatic high-point nearly dead center. This, for me, cements my feeling that these shouldn’t be read as three separate books, but read together in short succession as one large story. When taken that way, the proportions feel better for every part of the story. After so much trauma, it felt good to have so much aftercare and literal healing be giving a large section.

Overall, I liked this book in particular and the trilogy in general. Though, I kept feeling off-kilter because I haven’t read a story that felt like this before, and I think that’s a good thing for me as a reader, especially when it was done so well.

The therapist’s perspective was relayed so directly in the end that it was a little jarring, but I think it makes sense when part of Binti’s problems were that so much that was important was unsaid, and she had a lot to process. It works, but I definitely didn't expect the tone, nor the brevity of that interaction right at the end.

It’s far from my favorite series, but I would recommend it.

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