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Two Essays on The Count of Monte Cristo

I love The Count of Monte Cristo by Alexandre Dumas. I have read the unabridged version more than once, and my most recent reread was in 2023. At that time, I wrote a couple of brief essays which I posted on Tumblr, one of which was about a canonically queer character and the other discussed a character who is often left out of the various adaptations. I present for you these essays with expansion and alteration, because I keep returning to them as pieces of writing and because I don't want them to be limited to those original posts. I'd like to thank longtime Patron Case Aiken, who receives a monthly shoutout, as well as new patrons DivineJasper and Sasha Khan. (Quotes are from Robin Buss’ English translation of Alexandre Dumas’ work.) Link to Audio Version. ----- Canonical Queerness in The Count of Monte Cristo by Alexandre Dumas You’d need to change surprisingly little of The Count of Monte Cristo to confirm Eugénie Danglars as a trans man (or a masc-leaning nonbinary person...
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Binti: The Night Masquerade by Nnedi Okorafor (Binti, #3)

Binti: The Night Masquerade is a fitting end to the Binti trilogy by Nnedi Okorafor. The combination of action-packed climax with a lot of cool-down and aftercare makes the trilogy, and this stage of Binti's journey, feel complete in a way I wasn't expecting, but I appreciate.

The pacing is strange to me. I like how it concluded, but I was startled by spending almost half the book on what felt like falling action and conclusion, with the dramatic high-point nearly dead center. This, for me, cements my feeling that these shouldn’t be read as three separate books, but read together in short succession as one large story. When taken that way, the proportions feel better for every part of the story. After so much trauma, it felt good to have so much aftercare and literal healing be giving a large section.

Overall, I liked this book in particular and the trilogy in general. Though, I kept feeling off-kilter because I haven’t read a story that felt like this before, and I think that’s a good thing for me as a reader, especially when it was done so well.

The therapist’s perspective was relayed so directly in the end that it was a little jarring, but I think it makes sense when part of Binti’s problems were that so much that was important was unsaid, and she had a lot to process. It works, but I definitely didn't expect the tone, nor the brevity of that interaction right at the end.

It’s far from my favorite series, but I would recommend it.

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