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Yours Celestially by Al Hess

After divorce, death, and having his reformatted soul uploaded into a new body, Sasha expected resurrection to be a fresh start. His time spent in digital Limbo with the program's cheeky AI guardian angel, Metatron, was cathartic, but what good is a second life when he only sees his daughter on the weekends, he has all the same problems he had before he died, and he can't seem to shake the ache for the married life he lost? If that weren't frustrating enough, a glitch in the program has given Sasha the ability to sense Metatron even outside of Limbo. And Metatron is in love. The angel's sickly-sweet yearning for one of the souls still in Limbo has turned Sasha's stomach into caramelized lead. It's hard enough to move on without someone else's feelings making the emptiness in his own life even more acute. He didn't have playing wingman to an actual winged being on his bingo card, but he's determined to help Metatron make a move on their crush so he ca...
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The Broken Kingdoms by N. K. Jemisin (Inheritance, #2)

The Broken Kingdoms is damn good. It's driven by relationships and conversation in a way that could slow down a lesser book, but here every interaction is filled with the weight of the past, whether spoken or unspoken. It knows when to rest and to move

Everyone has a past in a way that makes them feel real, like we have a snapshot of their lives and they were here before and will continue on afterwards. This, to me, is a hallmark of a well-written story with complex characters. Oree and Madding had a relationship in the past which has echoes now, but their current dynamic is clearly different than what it must have been before the story started. Shiny knows various people and gods in ways that speak to past relationships, whether casual or intimate, and we have enough information to inform our understanding of what is unsaid, but without constantly explaining backstory.

In trilogies, especially in series that are intended as trilogies by the time book two is written, there is usually a problem where book two isn't complete enough to stand on its own. Even in series I love, I've noticed this problem, and usually book three makes up for it in terms of the strength of the trilogy as a whole. But not here, book three won't have anything to atone for; The Broken Kingdoms is rich, complex, full enough to stand on its own while also building on the history from The Hundred Thousand Kingdoms.

Oree feels like a distinct voice from Yeine, in book 1. Her focus is different, her concerns are different, and her approach to obstacles is grittier, more direct. She is functionally blind, and I appreciated how her comparison between the magical sight she does have and what she guesses ordinary sight must be like made sense in context. It would have been easy for her (as a character written by a sighted person) to continually opine on what seeing must be like, but instead she only discusses it when she has magical sight and uses parts of the language around ordinary sight to try and get a better description of the unique manner of her sight.

It felt so good to read this book. I loved every minute of it and I'm very excited for The Kingdom of Gods.

CW for ableism, incest, suicide, sexual assault, slavery, death.

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